![]() ![]() not the opportunity to work on the 7 esprer use my "new" squenceur) ) P4 3GHz / 2GB DDRII / 2 SATA drives I (Including one ddi Pro Tools recording, CG Ddi PCIe, M-Audio Profire 610 (Compatible only Pro Tools 8. What is the configuration of your computer? (Map mother / CPU / RAM / Disk / sound card. For now I do not feel like even leaf through?. Is Gnrale configuration is easy? Yes but made me look good No need to explain what happens when loading plugins 1 or 2 For example: 60% of CPU load on a blank session. Not normally after the Digidesign website and yet it does not work.ĭigidesign dictates its law imposing a ridiculous list of compatible hardware even in runissant all hardware requirements several forum users encounter a CPU overload that makes using Pro Tools impossible. Have you encountered the incompatibilits? No. ($249 MSRP Installation is it done without problem? Yes but will not help me much. For $200 street, it's not only a great way to make music for a solo musician at home or on the road, it's also the perfect audio device if you want to drive a high-quality monitoring setup from your Mac or PC. Its metal case feels solid, and its controls work smoothly. The FireWire Solo is bundled with Ableton Live Lite 5, and it's compatible with ASIO2, WDM, GSIF2, MME, and Core Audio. I also recently removed one of the dusty DAT machines from my studio rack, and I'm now using it to feed the FireWire Solo so I can archive my many prehistoric DAT tapes to CD and DVD when I've got downtime. The analog output sounds great, and I'm having no problems making crucial editing decisions while I prepare projects at home on PT MP for final mixing on the PT HD rig in my studio. The DI sounded good too, without putting an excessive load on passive pickups, but it did tame the high-end on an acoustic when used without a purpose-built preamp for its piezo pickup. I wouldn't try to eek out enough gain to use a vintage ribbon mic, but with any decent condenser mic, you can really get a nice recording with this box. ![]() I tried out the mic preamp on voice, acoustic guitar, and room sounds. The FireWire Solo also has a phantom-powered XLR mic input and a 1/4'' guitar input, making it the perfect setup for a singer-songwriter or even a podcaster. I chose the buss-powered FireWire Solo because I wanted balanced outputs to drive the ADAM P11A's in my home office and S/PDIF digital I/O for making digital transfers. But consider that PT MP 7 streets for $250, and with it, you can add real Pro Tools functionality to the M-Audio interface of your choice-even to the $60 (street) JamLab. It doesn't support DV Toolkit, which is pretty much required if you're a pro doing music to picture on an LE system, nor does it support Avid peripherals. ![]() It also comes with less bundled software (no junior versions of Reason, SampleTank, AmpliTube, T- RackS EQ). Heck, you can even use an M-Audio Ozone MIDI keyboard workstation as your Pro Tools interface! Unlike PT LE, PT MP doesn't support Digidesign's Ethernet-based control surfaces (but wouldn't you just use a ProjectMix I/O with MP, not a Control|24?) or the Digidesign custom keyboard. Now you can choose any of the twenty compatible interfaces listed on the M-Audio website instead, including the super-compact JamLab guitar system and the truly pocket-sized Transit interface. Speaking of interfaces, I know that a whole bunch of y'all lug around an Mbox to use as a glorified dongle to mix on PT LE. All you need is an iLok and one of the many M-Audio interfaces that work with PT MP. If you haven't had a chance to use Pro Tools, here it is. First of all, you can download a free demo of PT MP 7 from either the Digidesign or M-Audio websites. Let me start by mentioning a few things about Pro Tools M- Powered 7 that Dana missed in his review of PT MP 7 and the M-Audio ProjectMix I/O. ![]()
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